![silverfast scanning software silverfast scanning software](https://www.silverfast.com/img/knowledge/knowledge_231_2.png)
- #Silverfast scanning software full#
- #Silverfast scanning software software#
- #Silverfast scanning software series#
- #Silverfast scanning software mac#
Of course there are some differences between Mac and Windows, but I am quite confident that the windows menu is similar to the Mac. The version I use is Silverfast AI Studio 8.5.
![silverfast scanning software silverfast scanning software](https://www.silverfast.com/img/sections/level3/products_sf9/SF9_Ai_Studio.png)
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Silverfast Preferencesīefore we get into scanning, I need to show you the preferences I use for Silverfast. This is why I decided to make these adjustments not in Silverfast butrather in Lightroom. This raw converter shines when it comes to tonal adjustments, noise reduction and sharpening. In my personal workflow I do most of the post-processing in Silverfast, but I postpone some final tweaks to Adobe´s Lightroom. Sometimes it is not obvious which panel is controlling the scanner and which one is doing post-processing. It also provides all post-processing features required for brilliant output.
![silverfast scanning software silverfast scanning software](https://www.silverfast.com/img/home-8/SF8_home_2_en.png)
#Silverfast scanning software full#
Once you understand how these controls work, the rest of the scanning process is rather simple.Īdditionally Silverfast allows full control over all hardware based scanner settings. It also has a built in feature called Negafix, which allows you a significant amount of control on how your negatives are interpreted. Compared to other scanning software, Silverfast´s main advantage is the ability to get the best detail rendering possible for the scanner you are using. The big benefit from this approach is, all options and features are specifically designed for the scanner and will enable you to get the most out of this combination.
#Silverfast scanning software software#
Silverfast provides a dedicated version of its software that is programmed especially for one single range of scanners. The price tag is the biggest problem when recommending this piece of software, but when you are serious about scanning film, you will not get better results from any cheaper software. OK, it is not the cheapest and it needs to be purchased for every scanner separately. After trying a lot of the software available today for scanning, I finally decided to solely trust in LaserSoft Imaging´s Silverfast software. First is scanner control, second is post-processing. It is important to understand the nature of this 2 step process. Some of them are very helpful other things could be done better in other software. Most scanning software has built in post-processing features. The second part of the scan process is post-processing. However there is very little we can do to adjust this process. This is what a scanner basically does, it records luminance values and the scanner software is controlling this process. The first part is recording all image data from the film. Scanning is always divided into two parts. When establishing this workflow, scans from the Fuji Frontier scanner have always been my reference. My initial idea was to get similar results from a simple consumer scanner than from a brilliant Fuji Frontier minilab machine. Maybe this scanner is not perfect, but its versatility and the comfortable price range makes it a perfect scanner to start out with. I am using a very common Epson V700 flatbed scanner. I will cover scanning of black and white negative film thereafter, but the main focus will be on color film.
#Silverfast scanning software series#
In this series of tutorials will focus on scanning color negative film, which is often claimed to be the most difficult film to scan. After a very long time of "try and error" I finally settled on a workflow that allows me to have full control over the look of my scanned negatives. I will provide you very deep insights to my workflow. With this post I will start a series of blog posts and screencasts that will teach you how I handle scanning. Beyond the basic operation of the scanner and software, you need to make basic artistic decision when scanning, similar to those made by master printers in the traditional darkroom. I intentionally use this term, as it precisely describes what you do when scanning film. I severely underestimated the learning curve required to become a good scanner operator. When I started scanning film, I thought it would be an easy process.